From the nazi regime to the pharmacopornographic regime. Biopolitics and sexual dissidence in Detlevs Imitationen “Grünspan” by Hubert Fichte

Authors

Abstract

Despite initially going somewhat unnoticed, today, the novel Detlevs Imitationen “Grünspan” (1971) by Hubert Fichte is seen as a milestone in the post-war narrative. Its double protagonist (Detlev at the end of the war and the first years of the post-war period, and Jäcki during the late sixties) allows for a reading of the ways in which the persecution of sexual dissidence continued in a time of apparent progress in the gathering of differences. In this sense, I am interested in analyzing, particularly in Detlevs Imitationen “Grünspan”, the permanence of the Nazi past in the post-war period in relation to the repression of homosexuality and to the biopolitical production of the human as what is normal and accepted. To this end, I shall especially take the concept of Pharmacopornographic Regime, coined by Paul B. Preciado to explain the control and the disciplining of bodies and subjectivities from the beginning of the post-war period.

Keywords:

Hubert Fichte, German post-war novel, Sexual Dissidence, Queer Studies